Signal Processing

Condition Notes: This is a B-Stock open box model. It has a few minor screw marks on the rack ears. The item does not come with a box, manual, or any cables but is in otherwise good condition! Ultra low-jitter master clock 96 kHz AES/EBU Video blackburst lock

The HotShot DM-1 is an innovative a combination microphone signal splitter and mute switch that allows the user to depress a foot switch to mute his mic and redirect the signal to the monitoring system or intercom for on-stage communication with band-mates and technicians.Features: On-stage mic mute and signal redirector Momentary switch for one-push operation Allows discreet communication with band and crew Ground lift to eliminat...

The Radial JX44 Air Control is a guitar signal manager designed for the most demanding professional concert stages where wireless guitar systems, acoustics, effects and multiple amplifiers are used simultaneously. To ensure the highest quality signal transfer, the four instrument inputs employ Radial's unique class-A buffering with 100% discrete components throughout. Inputs A & B are equipped with Drag™ Control load correction that let...

The ART S8 can be used to split eight balanced low impedance microphone signals into sixteen balanced low impedance microphone signals (eight pairs). Each channel of the S8 provides one direct output and one transformer isolated output from a single microphone. Applications include sending the direct outputs to the main or Front-of- House mixer, and the second isolated outputs being sent to a monitor or recording mixer. The direct outputs pass...

Say you are running two mixers at once ? perhaps one for the monitor system and one for the main PA (or one for a broadcast feed and one for the PA). If a performer wants his/her mic split into a powered monitor and the PA, you will need the ability to split the signal from the source so that the signal can go both ways. It is also important that the output of the source encounters the right impedance. For example, if you simply used a ?Y? adapte...

The AN-16/o v.4 provides 16 channels of mic- or line-level outputs from a Pro16® system. The AN-16/o v.4 Output Module is a 1U rack-mount 16-channel digital-to-analog converter for Pro16® digital snake and audio distribution systems. Digital audio transmitted to the AN-16/o v.4 via Aviom's A-Net® Pro16 digital audio transmission protocol is converted to analog using 24-bit, 48kHz converters. Sixteen balanced outputs are provided on t...

Powered speakers are a beautiful thing. Everything you need bundled into one simple, tidy, portable package. Just grab 'em and go, right? Well, you may think your powered speaker system is complete, but you're missing half the picture. DriveRack PX is the other half. In another dbx industry first, we've created a processor specifically tailored for powered speakers. Utilizing our highly-acclaimed DriveRack technology, the PX picks up where your p...

All four of our Hum Eliminator products use our custom Isolation Transformers to break loop antenna that causes ground hum and buzz. The Hum Eliminator also converts back and forth between balanced and unbalanced connections and prevents the cable from acting as an antenna for noise. Simply place a channel of the Hum Eliminator on the cable connections between the two offending pieces of equipment. Will not affect the quality of the audio, it wil...

The Line Level Shifter's primary function is to increase or decrease signal voltage back and forth between -10dBV and +4dBu (dpending on which way you route through it). The Line Level Shifter also breaks loop antenna that causes ground hum and buzz as well as converting back and forth between balanced and unbalanced connections AND preventing the cable from acting as an antenna for noise. Simply place a channel of the Line Level Shifter on the c...

The Radial Phazer is a line level phase alignment tool that lets you bring two sound sources together so that the fundamentals play in sync. Once in phase, the results are impressive: On electric guitar; you can combine the direct feed of an amp with a room mic to create fat rich tones. On a kick drum, combine the 'attack' sound from a batter head mic with the 'boom' captured by a resonant head mic. On a snare drum, combine the top and bottom mic...

Studio kit contains Phazer and JDX in case. Two PSU included.

Re-amping has been the 'secret weapon' for countless recordings by the biggest names in the business and the process is often used on guitars, bass, keyboards, percussion and even voice to create new textures! The Radial ProRMP is a 100% passive re-amplifier that lets you to take a pre-recorded track and re-amplify it through a guitar amp or effects pedals to create new and exciting tones.Plug and play easy to use, the ProRMP connects from the re...