Guitar Effect Pedals

The DN-2 is an exciting new type of overdrive pedal that reacts to the intensity of your performance. This unique BOSS pedal comes equipped with the acclaimed Dyna Amp technology recently introduced in Roland's popular CUBE-60 amp, letting you create unique tone transitions based on picking dynamics. It's possible to get a transparent clean output sound by playing softly, or a powerful heavy overdrive sound by picking aggressively. Features: ...

The unique FB-2 Feedbacker/Booster packs a world of expressive, versatile boost into a single stompbox. Seamlessly morph from flat, clean boost that doesn’t spoil the nuance of the original tone to an amazing mid boost for high-gain solos, or dial up a bright and clear treble boost to lighten the tone. And that’s only half of the picture…the FB-2 can generate smooth and natural amp feedback as well. The FB-2’s versatile tone, simple operation...

The FDR-1 was designed with Fender to accurately recreate remarkable vintage Fender tone. Details include identical features as found on the original Deluxe Reverb: Level, Gain, Treble, Bass, Vibrato, and Reverb. Use this stompbox as a "pre-gain pedal" to add the signature Fender tone character to your arsenal. Features: Recreates the legendary tone of the 1965 Fender Deluxe Reverb guitar amp Level, Gain, Treble, Bass, Vibrato ...

Completely control your sound and eliminate unwanted feedback. It has 7 bands ranging from 100Hz to 6.4Hz, with boost/cut of ±15dB per band. *

The MD-2 Mega Distortion takes the bottom-heavy distortion sounds heard in today's new-school metal and pushes it to the extreme. The secret is a special dual-stage distortion circuit with an added gain boost plus new Bottom and Tone controls for crushing distortion with massive low end. Take your distortion into the future with the MD-2.

Provides super-long sustain and heavy mids and lows like a stack of overdriven amps. Features a three-band EQ.

The NS-2 effectively eliminates noise and hum of the input signal while preserving the original sound's tonality. The natural attack and envelope are unaffected thanks to BOSS' unique noise detection circuit that precisely separates the guitar sound and the noise components.

Authentic rotary speaker sounds via COSM® modeling technology. From the Beatles to Jeff Beck, Santana to Stevie Ray, many guitar greats have incorporated the rotary speaker into their rigs. With this in mind BOSS proudly presents the RT-20 Rotary Sound Processor. Employing COSM®-modeling technology, the RT-20 authentically reproduces classic rotary-speaker sounds. It offers adjustable Rise Time, Horn and Bass speed, Overdrive, and more. A...

CF-7 The CF-7 features models based on both classic and the latest modern chorus pedals including the DigiTech® Multi Chorus,Voodoo Lab Analog Chorus, TC Electronic® Stereo Chorus/Flanger, Fulltone® Choralflange, Boss® CH-1 Super Chorus, EH® Small Clone® and Boss® CE-5 Chorus Ensemble. Equipped with three two-in-one concentric controls, the CF-7 adjusts the standard Speed, Depth, and Level functions found on most c...

The Hot Head Distortion is a multi-purpose pedal for any music style where distortion is needed. Armed with flexible Low, High, and Gain controls, the Hot Head can dial in just the right tone for your setup. If you just want a little dirt or you need your amp to sound like a full stack, the Hot Head lets you rock with the best.

Introducing the JamMan Stereo Reinventing loopers again! When we developed the PDS 8000 looper pedal over twenty years ago, it could loop eight seconds of audio. When we reinvented loopers in 2005 with the original JamMan, over 6 hours worth of material could be stored on a removable media card. Now, DigiTech has raised the bar with the new JamMan Stereo Looper. Designed for musician looking for a full-featured, stereo looper, the JamMan Ste...

The Screamin' Blues Overdrive / Distortion is designed for guitarists who need a pedal that responds to playing dynamics. Blues players in particular will love how the Screamin' Blues gives them total control of their tone. Playing lightly gives you a mild overdrive, but dialing up the gain and digging in hard will make the Screamin' Blues sing with ultra-rich harmonics and sustain.