Guitar and Bass Effects

Produces a harder distortion effect for guitar and keyboard sounds. Reproduces nuances from whisper quiet to screaming loud. *

The LS-2 makes it easy to switch settings among several effects and to route input and output signals. Two line loops and six looping modes provide a wide variety of applications. Used with an AC adaptor, the LS-2 can also supply 9V DC power to several BOSS compact pedals. This makes it an ideal power supply and master switching unit for multiple effects setups.

BOSS celebrates the 10th anniversary of the LoopStation with an exciting new lineup of RC-series loopers! First out of the gate is the RC-30, a Twin Pedal multitrack looper with two synchronized stereo tracks and built-in loop effects. Plug in your instrument of choice, or even a microphone; an XLR input is provided, complete with phantom power. Record for up to three hours direct to internal memory, adding effects as you go. The USB 2.0 port let...

With loop mania sweeping the globe, BOSS proudly announces the most powerful Loop Station ever brought to the market — the RC-300. The new flagship looper features three synchronized stereo tracks with dedicated volume knobs and transport-control footswitches for each track. It’s also equipped with pro effects, a master Expression pedal, and a deluxe, ultra-wide control panel for the ultimate in live-performance manipulation. Plug in your guitar,...

When we developed the PDS 8000 looper pedal over twenty years ago, it offered eight seconds of delay or looped audio. When we reinvented loopers in 2005 with the original JamMan¨, over 6 hours worth of material could be recorded and stored on a removable media card. Now we have combined the best of both these worlds in the new JamMan Delay Looper. The JamMan Delay Looper features both true stereo looping and a fully programmable stereo delay ...

Digitech Whammy 5 delivers the latest incarnation of this incredible guitar effects pedal that unleashed a pitch-shifting revolution. Digitech Whammy 5 incorporates the best of the original Whammy with next generation technology, offering both classic and chord shifting modes. Whammy 5 now lets guitar and bass players comfortably raise and lower their tuning by up to two octaves, create pitch shifts from subtle to extreme and dramatic musical eff...

Rock distortion morphing pedal with spectral- contouring EQ. Normal and CIT Cabinet Modeling outputs.

Another touch-sensitive, dynamic, natural sounding overdrive/distortion to confuse the marketplace filled with Fulldrives, RC's, AC's, Tim's, and about a hundred others made by one-man-shows with the word tone in their names. Yes it does the normal gig-friendly TS-thing and the Clean boost thing, but the ‘Freq has WAY more tricks in its bag.With soft clipping for the lower OD sounds, something else happens as you turn up the Distortion knob...

Our Soul-Bender is based on the legendary Colorsound and Vox Series III ToneBenders made by Sola-Sound/England in the late '60's that was used by Beck and Page on much of their circa 1968-70 recordings. Equipped with 3 gain-matched germanium transistor for a FAT, searing lead tone, I've improved on the original by adding an internal trimmer allowing you to reshape the distortion from Rich legato sustain to bombastic all-out square fuzz. I also...

HardWire DL-8 Delay/Looper The DL-8 is an 8 second true stereo delay with 11 delay settings ranging from analog tape, reverse and modulated delays to a 20 second looper. The DL-8 features a 3 color LED indicator that shows pedal status in the looper mode. The delays tails can be retained when switching the pedel to bypass by setting the Tails On/Off switch.

It's like four pedals in one! The Turbo Tube Screamer faithfully recreates the sound of the original TS 9 and comes with 3 additional mind- blowing overdrives that you can choose through the Mode control: +, Hot, and Turbo. Separate Tone, Level, and Drive controls provide full control over your tone.

The THROTTLE BOX serves up all genres of ROCK with cut and aggression, but retains the signature warmth and organic sonic quality found in all our instruments.  While its main strengths lie in higher-gain sounds, it’s also versatile and the lower gain options shouldn’t be overlooked for classic rock or howling blues.  It also features a unique Mid Cut that scoops out midrange to produce the signature Boogie “V” E...