FULLTONE

PEDALS (until now) just can't hold a candle to what a good amp can do if you are really picky. You not only lose all the touch sensitivity, but forget about those complex Harmonics. (For me) It's always been somewhat of a compromise using Overdrive pedals... until now. Ladies and Gentleman, I am proud to introduce the Fulltone OCD. I made this pedal for me, but I think you might like it too. *AMPS.... if you've ever owned a GREAT amp, like...

Cables have a way of putting their own unique stamp on your sound and they do all sound just a little bit different from one another. Some have too much Highs, some not enough, while others have tremendous Bottom-end, at the same time sounding flat and lifeless! Fulltone's Gold Standard? low-capacitance cables with Gold-Plated ends keep the higher frequencies intact over longer lengths of cord without sounding shrill. Having said that, a cable th...

For many, many years you've basically had 2 choices for your Overdrive;/Distortion pedals... You could either get "Soft-clipped" Bluesy, slightly compressed, (Toob Screemer, FD2, etc etc etc etc etc etc) type Overdrive pedals... or you could get "Hard-Clipped" (OCD, Distortion+, Boss DS-1, etc etc etc etc etc etc) type Distortion pedals. PlimSoul has those Softer Bluesey, Compressed capabilities but also has a Second Stage ...

This is how you wished your Fuzzface sounded... Fat and Harmonic. And it cleans up like a vintage Fender amp when you turn down your guitar's volume control. The Rolling Stones and the Black Crowes have discovered this trick. If you love the first 2 Hendrix releases then you'll love this pedal, with 2 Germanium transistors hand-picked and tested for optimum performance. A Contour Knob lets you dial in Midrange, Harmonics and Sustain, also an &...

Housed in a beautiful powder coated Blue 16ga.steel enclosure, the first channel is the "Overdrive Mode" capable of Clean Boost or non-compressed overdrive or choose light to medium softer Overdrives all while retaining your guitar's original tone. The Tone knob is a very effective Presence control that can smooth out or add upper harmonics.. There's also a footswitchable second channel "Boost Mode" with its own separate Disto...

Our Soul-Bender is based on the legendary Colorsound and Vox Series III ToneBenders made by Sola-Sound/England in the late '60's that was used by Beck and Page on much of their circa 1968-70 recordings. Equipped with 3 gain-matched germanium transistor for a FAT, searing lead tone, I've improved on the original by adding an internal trimmer allowing you to reshape the distortion from Rich legato sustain to bombastic all-out square fuzz. I also...

Cables have a way of putting their own unique stamp on your sound and they do all sound just a little bit different from one another. Some have too much Highs, some not enough, while others have tremendous Bottom-end, at the same time sounding flat and lifeless! Fulltone's Gold Standard? low-capacitance cables with Gold-Plated ends keep the higher frequencies intact over longer lengths of cord without sounding shrill. Having said that, a cable th...

Octafuzz... the only exact circuit copy of the legendary Tycobrahe Octavia. Cool Octave-Up sounds ala Hendrix "Band of Gypsies" and SRV's many live shows! Housed in a 14ga. steel enclosure with a beautiful Ranar-blue gloss powdercoat finish and Antique-white logo, this pedal is the reincarnation of the Tycobrahe. Almost synth-like with its ring-modulation and "steel-drum" vibe... you will turn heads. Octafuzz Devotees Inclu...

Clyde McCoy was a big-band Trumpet Player in the '60s... not a great musician, but one famous for getting a muted "wah wah" sound. This led to Vox trying to approximate this muted trumpet sound in a pedal... hence the Vox "Clyde McCoy" wah wah circa 1967. Jimi Hendrix and Eric Clapton used a Vox "Clyde McCoy" model wah wah. Photos taken during the recording of "Electric Ladyland" document Jimi's as being ...

Robin Trower is known for TONE. While working with Robin during his latest Tour, I developed an Overdrive truly worthy of the Trower namesake. Touch responsive, huge sounding, sustain for days... and crystal clear when the guitar's volume knob is reduced for great live dynamics. Being that Robin uses Fenders as well as Marshalls, it had to work well with both types...it does. And Robin hits so hard that the front end of the pedal had to be tun...

There is a lot of confusion about just what the Catalyst is...is it a clean Booster, an overdrive, a distortion, or a Fuzz? The answer is "all of the above." What does it do best? Clean Boost, non compressed crunch tones (ala Jimmy Page, 70's Jeff beck) and non-compressed distortion/fuzz sounds...accent on NON-compressed. Other unusual traits of the Catalyst are its tight low end and ability to give both flat EQ and accentuated Mid d...

The problem with 99.9% of all wall-wart adapters is that they are NOT regulated, some straying up to 13 volts or so, causing Hum and horrible tone. Enter the Fulltone FPS-1 (200 ma.) Regulated adapter....dead quiet, and exactly 9 volts no matter what your wall AC is putting out. This has the standard 2.1mm x 5.5mm end with a Negative Center Pin and will work with most Boss, Ibanez, and most other pedals. FPS-1 (negative center pin) for use with m...